María Antonia Dans
Boado born in Oza de los Ríos (province of La Coruna, Spain) in 1922.
• As a child he moved with his parents to the mountains of Curtis, landscapes scored significantly to the painter.
• With 16 years the family moved to Corunna, where he started in the early postwar decades, his education as a painter in the study of Dolores Diaz Baliño. She directed into the paint, correcting and teaching outline coloring.
• His parents wanted to marry her or was in front of a haberdashery, but I wanted was Dans painting.
• The sale of his first box of watercolors in the studio of his teacher, led her to perform with his partner Nena del Llano its first exhibition, which was a success, managed to sell all the tables. This made Maria Antonia Dans started thinking in live painting and not focused on advertising as he had thought at first.
• In 1950 he traveled to Madrid with his first professional gains.
• The city impressed him greatly, as evidenced by his statements: "I decided from then definitely come to Madrid or die trying."
• • Around
rode his first study with her friend Carmela Diaz.
• Here we began to feel a self-taught professional and began experimenting with oil.
• Celso He married Collado, accredited journalist in 1952 and together they moved to live in Madrid.
• Thus his wish to know the School of Madrid and Benjamin Palencia who along with Daniel Vázquez Díaz, their influences are more pronounced.
•
• The artist sought and found the contact with many artists of his time, not just the art world but also of the letters, as Carmen Laforet and Camilo Jose Cela, among others, with whom he was in the Café Gijón , the local who came regularly.
• Attended the Academy of Fine Arts free as a student for a while and received numerous awards: National Education Study Help (1955), John March (1959), Fundación Rodríguez Acosta (1962) and Cultural Relations (1964).
In 1956 his daughter Rosalie was born in the same time enhancing its professionalism, with a multitude of commissions of its own study of the street Toledo.
o In 1959, already separated amicably Celso Collazo, he was awarded the March Fellowship that allowed him to travel to Pisa, Florence and Rome.
or stay in this greatly impressed the Italian Quatroccento.
or Before his return, he traveled to Paris, where knowledge of the Impressionists was definite in their distorted concept of the perspective and the importance that color will have on his work.
or landscapes, farmers, vendors, small port scenes, simple issues will relate to basic formal language, in which abundant chromaticism pure tones (red, yellow, blue) that places all its argumentative force suggestive references, giving a plane to his compositions, in which there is almost no perspective.
or Dans Another important facet is his work as an illustrator of children's books and his work as a cartoonist for the newspaper "People."
or
o In the 70's got his consecration in the national tour, with national and international exhibitions. In the 80 continued to paint and travel to complete your personal and professional learning. Visited Siam, France, New York, Brazil and England.
• His work is extended by numerous tourist inns, and official and public buildings.
• Represented in the Museum of Contemporary Art in Madrid, in all of Galicia and in a number of provincial Spain.
• Painting of Maria Antonia Dans, sometimes qualified of "naive" is actually a root neo expressionism deliberately naïve, akin to embroidery pupular ways, rooted in Baroque style. •
• His landscapes are elementary, with some mosaic. •
• On February 17, 1988 María Antonia Dans Boado dies.
• If the world were like the world
• your eyes see:
• golden broom, carmine, blue
• pressing his magic harp!
• And the people on pilgrimage,
• clear skies and souls,
• •
clear bodies that crave dizzying heights and wings.
• (not yellow with envy, or gray
• hopelessness.)
• A perpetual feast, a world
• newborn •
word of love, a song and a dream sailing on
• tears.
María Antonia Dans • A • José Hierro
• As a child he moved with his parents to the mountains of Curtis, landscapes scored significantly to the painter.
• With 16 years the family moved to Corunna, where he started in the early postwar decades, his education as a painter in the study of Dolores Diaz Baliño. She directed into the paint, correcting and teaching outline coloring.
• His parents wanted to marry her or was in front of a haberdashery, but I wanted was Dans painting.
• The sale of his first box of watercolors in the studio of his teacher, led her to perform with his partner Nena del Llano its first exhibition, which was a success, managed to sell all the tables. This made Maria Antonia Dans started thinking in live painting and not focused on advertising as he had thought at first.
• In 1950 he traveled to Madrid with his first professional gains.
• The city impressed him greatly, as evidenced by his statements: "I decided from then definitely come to Madrid or die trying."
• • Around
rode his first study with her friend Carmela Diaz.
• Here we began to feel a self-taught professional and began experimenting with oil.
• Celso He married Collado, accredited journalist in 1952 and together they moved to live in Madrid.
• Thus his wish to know the School of Madrid and Benjamin Palencia who along with Daniel Vázquez Díaz, their influences are more pronounced.
•
• The artist sought and found the contact with many artists of his time, not just the art world but also of the letters, as Carmen Laforet and Camilo Jose Cela, among others, with whom he was in the Café Gijón , the local who came regularly.
• Attended the Academy of Fine Arts free as a student for a while and received numerous awards: National Education Study Help (1955), John March (1959), Fundación Rodríguez Acosta (1962) and Cultural Relations (1964).
In 1956 his daughter Rosalie was born in the same time enhancing its professionalism, with a multitude of commissions of its own study of the street Toledo.
o In 1959, already separated amicably Celso Collazo, he was awarded the March Fellowship that allowed him to travel to Pisa, Florence and Rome.
or stay in this greatly impressed the Italian Quatroccento.
or Before his return, he traveled to Paris, where knowledge of the Impressionists was definite in their distorted concept of the perspective and the importance that color will have on his work. 
or landscapes, farmers, vendors, small port scenes, simple issues will relate to basic formal language, in which abundant chromaticism pure tones (red, yellow, blue) that places all its argumentative force suggestive references, giving a plane to his compositions, in which there is almost no perspective.
or Dans Another important facet is his work as an illustrator of children's books and his work as a cartoonist for the newspaper "People."
or
o In the 70's got his consecration in the national tour, with national and international exhibitions. In the 80 continued to paint and travel to complete your personal and professional learning. Visited Siam, France, New York, Brazil and England. 
• His work is extended by numerous tourist inns, and official and public buildings.
• Represented in the Museum of Contemporary Art in Madrid, in all of Galicia and in a number of provincial Spain.
• Painting of Maria Antonia Dans, sometimes qualified of "naive" is actually a root neo expressionism deliberately naïve, akin to embroidery pupular ways, rooted in Baroque style. •
• His landscapes are elementary, with some mosaic. •
• On February 17, 1988 María Antonia Dans Boado dies.
• If the world were like the world
• your eyes see:
• golden broom, carmine, blue
• pressing his magic harp!
• And the people on pilgrimage,
• clear skies and souls,
• •
clear bodies that crave dizzying heights and wings.
• (not yellow with envy, or gray
• hopelessness.)
• A perpetual feast, a world
• newborn •
word of love, a song and a dream sailing on
• tears.
María Antonia Dans • A • José Hierro
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